La lupa
1930 - 1931
Arturo Martini
The inspiration for this sculpture comes from a book by Giovanni Verga, about a she-wolf in human form. About the posture of the statue, Arturo Martini says: “The natural form of man is a child crawling on all fours.” He thinks that sculptures of standing people are never beautiful.
Details
- Plan number: C3
- Zone: Collection pavilion
- Title: La lupa (the she-wolf)
- Creator: Arturo Martini
- Date: 1930 - 1931
- Material: terracotta
- Acquisition: purchase, 1950
- Object number: MID.B.001
This sculpture represents the woman as an animal. For some, this is a powerful image, for others it is a problematic representation of the woman, far too submissive and sexually charged. Furthermore, an arrow pierces the back of the she-wolf, she suffers and roars. At the same time, the she-wolf is a symbol of Rome: she is said to have fed the twins Romulus and Remus, who later founded Rome. The Roman she-wolf symbolizes survival and courage.
We think it is important to pause for a moment to consider the many nudes in the art park. A nude is not neutral in art either. What was once common, we may see completely differently today?
Throughout the centuries, the image of the she-wolf has often been used for female strength and courage, but also for the dark, wild sides of nature. The she-wolf represents the constant connection between the human and the natural world, and remains a powerful symbol for female autonomy and untamed energy. In the work of the Italian sculptor Arturo Martini his admiration for Etruscan and classical sculpture is recognizable, but at the same time there is also a modern touch. He became known for his public sculptures commissioned by fascist Italy in the years 1930-1940. He works mainly figuratively and with various materials, from clay to wood and stone to silver.
From the same artist

Arturo Martini
What title would you give this artwork? Arturo Martini chose 'Gare invernale', literally translated as 'Winter Sports'. Not exactly the first association one would make when looking at this still, quiet man and woman. It’s possible that the artist is referring to naturism with this work, a movement that sees harmony between humans and nature as an ideal.

Arturo Martini
A woman, nude except for a small hat, enjoys the sun. It is a classical female nude, but the headwear adds a surprising detail. The woman's posture also deviates from tradition, giving Arturo Martini’s sculpture a modern touch. In 1930s fascist Italy, sunbathing was promoted as a way to build a perfect and healthy body. The focus on the ideal body was closely linked to national pride.

Arturo Martini
‘La Nena’ (the girl) is the pet name of Maria, the daughter of Arturo Martini. In 1930 he immortalized her in terracotta. It is a lifelike image that captures Maria’s sad expression well. Martini portrays her at the moment she leaves for boarding school as a 9-year-old. She stares out of the train window with her mouth slightly open and a dreamy look. She leans forward a little, crosses her arms in front of her chest and tries to hold the hat on her twisted braids.
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